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NATALIA E. WOYTASIK, born 1967 in Heidelberg (Germany). Grandchild of a polish anarchist and daughter of pursued Bolshevik Russian mother. Studies art at Freie Kunstschule Rhein-Neckar in Mannheim. She is working with experiments in painting, photography, music and video screening. Her ideas are based on the world of ambivalent thinking and protesting. She wants to bring this thinking into forms like tv-shots, twilight photos and collages to find back to the big world of painting. Lives and works in Sapri/Italy.
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2023 LIVING ARTIST ENCYCLOPEDIA | website
A WINDOW TO THE ARTS | Spazio Tolomeo, Milan
2022 THE ART STATUS' ... | Zanon Galery, Rome
THE WILD SOUTH OF ITALY | Terme del Tufaro, Milan
2020 COVID PROTECTIVE MASK series
2016 HOMMAGE ON KITAWAGA UTAMARO
2015 WOYTASIK ART at WORDPRESS
2013 MOSTRA | Palazzo Vecchio, Vibonati/Italien
2012 SIMPLE IS THE HUMAN | Palazzo Vecchio, Vibonati/Italy
DEPRESSIONS + CONQUESTS | Gallery Offenes Atelier, Villach/Austria
2011 PULCINELLA | Palazzo Vecchio, Vibonati/Italy
2010 POESIE IN VERDE | Palazzo Vecchio, Vibonati/Italy
2009 RELIQUARIES OF EMPIRES DUST | Bereznitsky Gallery, Berlin
2008 EROTICART | Palazzo Vecchio, Vibonati/Italy
2007 NOSTALGIA | Palazzo Vecchio, Vibonati/Italy
MBARALARTE | Palazzo Vecchio, Vibonati/Italy
2006 PERCORSO | Piazza Carceri, Vibonati/Italy
NUDI | Universita Popolare del Cilento, Torre Orsaia/Italy
2004 KINGS & QUEENS of SHOWS | Gallery ZeitZone, Berlin-Kreuzberg
Contributions: ► Lenin puts a medal on Erich Honecker..., Restlight Photo
2003 NO!-ON SHOW | Gallery Berliner Kunstprojekt, Berlin
NO!art involved Artists: ARMENTO + ARONOVICI + BAJ + BARATELLA + BECHER + BROWN + BRUNET + BRUS + CHORBADZHIEV + D'ARCANGELO + DAYEN + DE RUVO + EHM-MARKS + ERRO + FABRICIUS + FISHER + GATEWOOD + GEORGES + GERZ + GILLESPIE + GILMAN + GOLDMAN + GOLUB + GOODMAN + HALLMANN + HASS + HJULER + KAPROW + KIRVES + KUSAMA + KUZMINSKY + LEBEL + LEVITT + LONG + LST + LURIE + MASTRANGELO + MEAD + MESECK + PATTERSON + PICARD + PINCHEVSKY + RAMSAUER + RANCILLAC + ROUSSEL + SALLES + SALMON + SCHEIBNER + SCHLEINSTEIN + STAHLBERG + STUART + TAMBELLINI + TOBOCMAN + TOCHE + TSUCHIYA + VOSTELL + WALL + WOLF + WOYTASIK + ZOWNIR
NO!art has continued way beyond 1964 and also prior to 1958. The "cutting-off" date 1964, as espoused by the art historian is entirely artificial. Such cutting-off dates are common to art historians, done for cataloguing purposes, and what is more, for accreditation of monetary value in the art market. The cutting-off dates also have a devastating effect on the production of artists, who are, by those means, being convinced that what they produce after a cutting-off date is secondary in importance, and do not belong any longer to the "new times". Yet the art market hated it, for practical reasons of creating confusion about monetary value. That is the main and real reason for art historians and critics insisting on this untrue measure. - Boris Lurie, 2003.
